Soul Chronicle #3

 

Today’s featured artist:

Baby Huey (singer)

From Wikipedia, the free encyclopedia

Background information

Birth name
James Ramey

Born
August 17, 1944
Richmond, Indiana, United States

Origin
Chicago, Illinois, United States

Died
October 28, 1970 (aged 26)
Chicago, Illinois, United States

Genres
Funk/R&B/soul/rock

Occupation(s)
Singer

Years active
1963–1970

Labels
Curtom

Associated acts
The Vets, Baby Huey & the Babysitters, Melvyn “Deacon” Jones, Johnny Ross

“James Ramey (August 17, 1944 – October 28, 1970), better known as Baby Huey, was an American rock and soul singer. He was the frontman for the band Baby Huey & the Babysitters, whose sole LP for Curtom Records in 1971 was influential in the development of hip hop music.

Early life and career

A native of Richmond, Indiana, James Ramey moved to Chicago, Illinois at the age of nineteen, and worked with several local bands as a singer. One, while he was still in high school, was called the Vets. Due to a glandular disorder, Ramey weighed about 350 pounds (160 kg) around this time. His size contributed to his stage presence, but also to health problems. Nevertheless, he made light of his condition, adopting the stage name “Baby Huey” after Paramount Pictures’ giant duckling cartoon character of the same name. In 1963, Ramey, organist/trumpeter Melvyn “Deacon” Jones, and guitarist Johnny Ross founded a band called Baby Huey & the Babysitters, which became a popular local act and released several 45 RPM singles. The four songs, “Beg Me”, “Monkey Man”, “Messin’ with the Kid” and “Just Being Careful” were spread over various single releases.

During the late-1960s, the band followed the lead of Sly & the Family Stone and became a psychedelic soul act. Huey began wearing an Afro and donned psychedelic African-inspired robes, and adding sing-song, self-referential rhymes to his live performances. According to his bandmates, Ramey’s rhymes were very similar in style to those later popularized by rappers in hip-hop music. The Babysitters were a popular live act, but never took the time out to record an album.

In 1969, the band’s agent Marv Heiman secured them an audition with Curtom Records arranger Donny Hathaway. Heiman states that Hathaway came by the Thumbs Up club and was very impressed by the act, and got Curtom Records head Curtis Mayfield to come the following night. Mayfield wanted to sign Baby Huey, but not the band. Although the band participated in the recording of Ramey’s debut album, there were feelings of unease among them, and Jones quit the band during the recording. It’s also likely that Ross had quit some time before.

By 1970, Ramey had developed an addiction to heroin, and his weight had increased to over 400 pounds. He began regularly missing gigs or turning up late, and, at the insistence of his bandmates, briefly entered rehabilitation in the spring of 1970. In addition to the heroin problem, Ramey was also drinking. Melvyn Jones had described in his book an incident that took place: while pouring his breakfast cereal, Ramey’s drug kit fell out of the box.

Death

On October 28, 1970, James Ramey died of a drug-related heart attack at the age of twenty-six in a Chicago motel room. His funeral was held on November 1, in his native Richmond, Indiana, and he was buried there in Glen Havens Memorial Gardens.

Legacy

Baby Huey’s album, The Baby Huey Story: The Living Legend, was released posthumously. Produced by Curtis Mayfield, the album featured several Mayfield compositions, as well as a cover of Sam Cooke’s “A Change Is Gonna Come” and two original compositions by Ramey. The album did not sell well upon its original release, and was largely forgotten by the mainstream. Today, the album is considered a classic of its period.

On October 7, 1971, Jet magazine ran a small piece on how his mother, Mrs. Ernestine Ramey Saine, was granted authorization to audit the records of two recording firms including Curtom Records. The order also permitted her to evaluate an undetermined estate left by him. According to Chicago attorney Vernon M. Rhinehart, Ramey had a salary that was $3,500 per week.

Several songs from The Baby Huey Story, including “Hard Times”, “Listen to Me”, and “Mighty Mighty Children”, have been frequently sampled by hip hop producers since the 1980s. “Hard Times” alone has been sampled by dozens of artists, including Chill Rob G (“Ride The Rhythm”, Ride the Rhythm (1989)), Ice Cube (“The Birth”, Death Certificate), A Tribe Called Quest (“Can I Kick It? (Spirit Mix)”, People’s Instinctive Travels and the Paths of Rhythm), Ghostface Killah (“Buck 50”, Supreme Clientele), and others. John Legend and The Roots covered “Hard Times” for their 2010 album Wake Up!. Many people, including the Babysitters themselves, see The Baby Huey Story as a significant and important influence on hip hop music. The dancefloor hit “Remember me” by The Blueboy (Mid to late 1990s) clearly uses its pace and much of its score from Baby Huey’s “Hard Times” song.

The Baby Huey Story: The Living Legend is the only available release by Baby Huey. Several singles, including “Beg Me”, “Monkey Man”, “Messin’ with the Kid” and “Just Being Careful” are not included.”

Discography

Albums

The Baby Huey Story: The Living Legend (1971)

Singles

“Listen to Me” (Curtom CR 1962)

Compilations

“Hard Times” on Shaolin Soul
“Listen to Me” on Kurtis Blow Presents the History of Rap, Vol. 1: The Genesis (1997, Rhino Records).

Stay a player!

J.T. Butler

I am a singer/songwriter, guitarist, bassist and piano player, with a history of training in Martial Arts and an interest in Web Design.